While slowly dancing to her music, Parks integrated the positive energy into the crowd that would continue for the rest of the night. Parks performed for about 45 minutes, with songs like “Green Eyes,” “george” and “Cola.” Her performances sounded almost identical to her recorded songs, displaying how much she has perfected her soft and whisper-filled voice. Parks’ music usually falls under the R&B/Soul umbrella, and she is mostly known for songs like “Black Dog” and “Eugene.” The opening act was performed by angelic Arlo Parks, a London-based singer-songwriter. With Clairo’s “Sling” tour beginning back in February, Minneapolis fans have had more than enough time to build up excitement for the show. That line was full of indie, Generation Z fans waiting anxiously to watch Clairo, the highly acclaimed, singer-songwriter artist perform her music that covers an array of emotional topics involving relationships, self-love, and more. That song also includes the only lyrical mention of the album’s title, envisioning a potential future for herself with a “baby in a sling.A line trailed three blocks long outside of The Fillmore in downtown Minneapolis on Friday night. There’s also a college reference in “Zinnias” so specific that it’s an intersection on the Syracuse campus (curiously, where the all-night food truck used to park, and maybe still does). There are flashes of Phoebe Bridgers throughout, but that’s due more to similarities in their voices than songwriting.Īnd yes, the lyrics address many of the aforementioned topics: There’s alienation and loneliness (“I show up at the party just to leave”), a gross encounter with a music industry exec (“Why do I tell you how I feel when you’re just looking down the blouse?”), and depression and family (“Mommy, I’m afraid I’ve been talking to the hotline again”). They’ve played up the baroque touches in other ways, as well: The album is loaded with vintage keyboards - particularly Wurlitzer electric piano - and a string quartet appears on several songs. Where Rostam compensated for her relatively limited range by loading it up with echo, here she and Antonoff have multi-tracked her voice with delicately layered harmonies that, with the exception of two songs featuring Lorde, are sung entirely by her. In the process, it’s opened a whole new chapter for both of them.īut Clairo has also advanced dramatically as a singer. Vincent, Lorde, the Chicks, Pink and his own band Bleachers is enough to make one’s eyes roll at the announcement of yet another project - it finds both on musical terrain that their previous work has barely hinted at, and, surprisingly, one that is decades older than they are: Dreamy, keyboard-laden pop of the late 1960s and early 1970s, with flashes of the Zombies’ “Odessey and Oracle,” Carole King, Nilsson, Burt Bacharach, Todd Rundgren and even Weyes Blood’s 2019 album “Titanic Rising,” which also evoked that era. A collaboration with the ubiquitous Jack Antonoff - whose voluminous recent work with Taylor Swift, St. Her first full album, 2019’s “Immunity,” was co-produced with Vampire Weekend co-founder Rostam Batmanglij and found her songwriting maturing, particularly on “Bags,” “Sofia” and the opening “Alewife,” although many of the songs were essentially bedroom pop with more elaborate and imaginative arrangements. Her debut EP, “Diary 001,” is a bedroom-pop classic, with a simplicity that reflects her youth but also a depth of melody that makes it easy to imagine its songs being covered by any number of major-label artists. While Clairo (Clare Cottrill) turns 23 next month, she’s been releasing songs for nearly a decade - first via YouTube covers and gradually originals, until “Pretty Girl” captured the imagination and algorithms of millions and lofted the then-college freshman to a level of renown that saw her opening for Dua Lipa right after finishing her first year at Syracuse University. All of those things find their way into many of her lyrics, but musical advancement makes “Sling” the breakthrough that it is. Even when people are writing specifically about her songs and albums - including this remarkable latest one, “Sling” - the focus is usually on her personality, her sexuality, her background, her battles with depression and other non-musical aspects. For all the thousands of words typed and thumbed about singer-songwriter Clairo since her 2017 song “Pretty Girl” went viral, it’s astonishing - and just as astonishingly unsurprising - how few of them actually focus on her music.
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